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Vendries, Christophe. 2008. Tombeaux de musiciens de métier à Rome et danl l'Empire Romain. Quelques observations organologiques et méthodologiques. In ,Arnd Adje Both, Ricardo Eichmann, Ellen Hickmann, and Lars-Christian Koch, 299-310. Herausforderungen und Ziele der Musikarchäologie = Challenges and Objectives in Music Archaeology. Papers from the 5th Symposium of the International Study Group on Music Archaeology at the Ethnological Museum, State Museums Berlin, 19-23 September, 2006. Rahden.
Vendries, Christophe. 2019. Conquest, Political Space and Sound in Antiquity: Concerning Barbarians and Romans, and Roman Discourse on Music and Civilization. In ,Graeme Lawson, Mark Howell, and Ricardo Eichmann, 297-314. Music and Politics in the Ancient World: Exploring Identity, Agency, Stability and Change through the Records of Music Archaeology. Berlin. doi:10.17171/3-65-13.
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Terzēs, Chrēstos. 2002. The ancient Hellenic tonal system: the view of Dionysios. In ,Ellen Hickmann, Ricardo Eichmann, and Anne D Kilmer, 393-401. Archäologie früher Klangerzeugung und Tonordnung = The Archaeology of Sound: Origin and Organisation. Rahden.
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Tamboer, Annemies, and van Vilsteren, Vincent. 2006. Celtic bugle, Roman lituus, or medieval ban horn?: an evaluation of cast bronze horns with an upturned bell. In ,Ellen Hickmann, Arnd Adje Both, and Ricardo Eichmann, 221-236. Musikarchäologie im Kontext = Music Archaeology in Contexts: archaeological semantics, historical implications, socio-cultural connotations. Rahden.
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Steinmann, Conrad, and Reichlin, Paul J. 2006. Instruments and their music from the 5th century BC in classical Greece. In ,Ellen Hickmann, Arnd Adje Both, and Ricardo Eichmann, 237-254. Musikarchäologie im Kontext = Music Archaeology in Contexts: archaeological semantics, historical implications, socio-cultural connotations. Rahden.
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Seidel, Hans. 2000. Saiteninstrumente auf Münzen im antiken Palästina. In ,Ellen Hickmann and Ricardo Eichmann, 123-126. Saiteninstrumente im archäologischen Kontext = Stringed Instruments in archaeological context. Papers from the 8th International Meeting of the ICTM Study Group on Music Archaeology, Limassol, 26-30 August 1996, and papers from the 7th International Meet. Rahden.
Schuol, Monika. 2002. Sänger und Gesang in den homerischen Epen: frühgriechische Musik vor dem Hintergrund altanatolischer Tradition. In ,Ellen Hickmann, Ricardo Eichmann, and Anne D Kilmer, 429-439 ill. Archäologie früher Klangerzeugung und Tonordnung = The Archaeology of Sound: Origin and Organisation. Rahden.
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Schmidt-Colinet, Constanze. 2002. Sänger im Alten Orient und in Griechenland: Musiker am neuassyrischen Hof. In ,Ellen Hickmann, Ricardo Eichmann, and Anne D Kilmer, 599-615 ill. Archäologie früher Klangerzeugung und Tonordnung = The Archaeology of Sound: Origin and Organisation. Rahden.
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van Schaik, Martin. 2008. The possible harp-lyre transformation in Minoan Crete. In ,Arnd Adje Both, Ricardo Eichmann, Ellen Hickmann, and Lars-Christian Koch, 283-298. Herausforderungen und Ziele der Musikarchäologie = Challenges and Objectives in Music Archaeology. Papers from the 5th Symposium of the International Study Group on Music Archaeology at the Ethnological Museum, State Museums Berlin, 19-23 September, 2006. Rahden.
Salapata, Gina. 2002. The 'Apulian sistrum': monotone or 'melodic'?. In ,Ellen Hickmann, Ricardo Eichmann, and Anne D Kilmer, 415-428 ill. Archäologie früher Klangerzeugung und Tonordnung = The Archaeology of Sound: Origin and Organisation. Rahden.
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Rühling, Susanne. 2010. Ancient Sounds for Modern Ears – Archaeomusicology in media and performance. Essay of an Experience Report. In ,Ricardo Eichmann, Ellen Hickmann, and Lars-Christian Koch, 293-299. Musikalische Wahrnehmung in Vergangenheit und Gegenwart. Ethnographische Analogien in der Musikarchäologie = Musical Perceptions - Past and Present. On Ethnographic Analogy in Music Archaeology. Rahden.
Rocconi, Eleonora. 2004. Colours in music: metaphoric musical language in Greek antiquity. In ,Ellen Hickmann and Ricardo Eichmann, 29-34. Musikarchäologische Quellengruppen = Music-Archaeological Sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archeology at Monastery Michaelstein, 9-16 June 2002. Rahden.
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Rocconi, Eleonora, and Castaldo, Daniela. 2012. Music on stage in red-figure vase-painting of Magna Graecia (400-320 BC). The role of music in the so-called ‘phlyax vases’. In ,Ricardo Eichmann, Fang Jianjun, and Lars-Christian Koch, 343-360. Klänge der Vergangenheit. Die Interpretation von musikarchäologischen Artefakten im Kontext = Sound from the past. The interpretation of musical artifacts in an archaeological context . Rahden.
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Rocconi, Eleonora. 2006. Women players in ancient Greece: the contex of symposia and the socio-cultural position of psaltriai and aulētrides in the classical world. In ,Ellen Hickmann, Arnd Adje Both, and Ricardo Eichmann, 335-344. Musikarchäologie im Kontext = Music Archaeology in Contexts: archaeological semantics, historical implications, socio-cultural connotations. Rahden.
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Rocconi, Eleonora. 2002. The development of vertical orientation in the spatial representation of sound. In ,Ellen Hickmann, Ricardo Eichmann, and Anne D Kilmer, 389-392. Archäologie früher Klangerzeugung und Tonordnung = The Archaeology of Sound: Origin and Organisation. Rahden.
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Rocconi, Eleonora. 2008. Iē Paian: Apollinean music between myth and cult. In ,Arnd Adje Both, Ricardo Eichmann, Ellen Hickmann, and Lars-Christian Koch, 111-118. Herausforderungen und Ziele der Musikarchäologie = Challenges and Objectives in Music Archaeology. Papers from the 5th Symposium of the International Study Group on Music Archaeology at the Ethnological Museum, State Museums Berlin, 19-23 September, 2006. Rahden.
Rocconi, Eleonora. 2010. Sounds of war, sounds of peace: for an ethnographic survey of ancient Greek music in Platonic writings. In ,Ricardo Eichmann, Ellen Hickmann, and Lars-Christian Koch, 119-127. Musikalische Wahrnehmung in Vergangenheit und Gegenwart. Ethnographische Analogien in der Musikarchäologie = Musical Perceptions - Past and Present. On Ethnographic Analogy in Music Archaeology. Rahden.
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Rocconi, Eleonora. 2019. ‘Greek’ versus ‘Barbarian’ Music: The Self-Definition of Hellenic Identity through the Culture of Mousikē. In ,Graeme Lawson, Mark Howell, and Ricardo Eichmann, 281-296. Music and Politics in the Ancient World: Exploring Identity, Agency, Stability and Change through the Records of Music Archaeology. Berlin. doi:10.17171/3-65-12.
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Psaroudakēs, Stelios. 2008. The auloi of Pydna. In ,Arnd Adje Both, Ricardo Eichmann, Ellen Hickmann, and Lars-Christian Koch, 197-216. Herausforderungen und Ziele der Musikarchäologie = Challenges and Objectives in Music Archaeology. Papers from the 5th Symposium of the International Study Group on Music Archaeology at the Ethnological Museum, State Museums Berlin, 19-23 September, 2006. Rahden.
Psaroudakēs, Stelios. 2002. The aulos of Argithea. In ,Ellen Hickmann, Ricardo Eichmann, and Anne D Kilmer, 335-366 ill. Archäologie früher Klangerzeugung und Tonordnung = The Archaeology of Sound: Origin and Organisation. Rahden.
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Psaroudakēs, Stelios. 2004. The Orestes Papyrus: some thoughts on the dubious musical signs. In ,Ellen Hickmann and Ricardo Eichmann, 471-492. Musikarchäologische Quellengruppen = Music-Archaeological Sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archeology at Monastery Michaelstein, 9-16 June 2002. Rahden.
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Psaroudakēs, Stelios. 2006. A lyre from the cemetery of the Acharnian Gate, Athens. In ,Ellen Hickmann, Arnd Adje Both, and Ricardo Eichmann, 59-79. Musikarchäologie im Kontext = Music Archaeology in Contexts: archaeological semantics, historical implications, socio-cultural connotations. Rahden.
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Psaroudakēs, Stelios. 2000. The arm-crossbar junction of the classical Hellenic kithara. In ,Ellen Hickmann, Ingo Laufs, and Ricardo Eichmann, 263-278 ill. Musikarchäologie früher Metallzeiten = Music Archaeology of Early Metal Ages. Papers from the 1st Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 18-24 May 1998. Rahden.
Perrot, Sylvain. 2012. Greek Auloi from Archaic Times in an Archaeological Context. In ,Ricardo Eichmann, Fang Jianjun, and Lars-Christian Koch, 315-324. Klänge der Vergangenheit. Die Interpretation von musikarchäologischen Artefakten im Kontext = Sound from the past. The interpretation of musical artifacts in an archaeological context. Leidorf.
Perrot, Sylvain. 2014. The Shape and Function of Bronze Bells in the Archaic Greek World: Some New Perspectives. In ,Fang Jianjun, Lars-Christian Koch, and Ricardo Eichmann, 97-105. Studies in Music Archaeology IX: Papers from the 8th Symposium of the International Study Group on Music Archaeology in Suzhou and Beijing, China, 20 – 25 October, 2012. Rahden.
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