Hickmann, Ellen, and Eichmann, Ricardo, eds. 2000. Saiteninstrumente im archäologischen Kontext = Stringed Instruments in archaeological context. Papers from the 8th International Meeting of the ICTM Study Group on Music Archaeology, Limassol, 26-30 August 1996, and papers from the 7th International Meet. Studien zur Musikarchäologie 1, Orient-Archäologie 6. Rahden.

Hagel, Stefan. 2004. Calculating auloi? The Louvre aulos scale. In ,Ellen Hickmann and Ricardo Eichmann, 373-390. Musikarchäologische Quellengruppen = Music-Archaeological Sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archeology at Monastery Michaelstein, 9-16 June 2002. Rahden.

Hickmann, Ellen, Eichmann, Ricardo, and Kilmer, Anne D, eds. 2002. Archäologie früher Klangerzeugung und Tonordnung = The Archaeology of Sound: Origin and Organisation. Studien zur Musikarchäologie 3; Orient-Archäologie 10. Rahden.

Hickmann, Ellen, Laufs, Ingo, and Eichmann, Ricardo, eds. 2000. Musikarchäologie früher Metallzeiten = Music Archaeology of Early Metal Ages. Papers from the 1st Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 18-24 May 1998. Studien zur Musikarchäologie 2, Orient-Archäologie 7. Rahden.

Franklin, John Curtis. 2002. Aristophanes 'Clouds': a musical reconstruction. In ,Ellen Hickmann, Ricardo Eichmann, and Anne D Kilmer, 661-664 + CD. Archäologie früher Klangerzeugung und Tonordnung = The Archaeology of Sound: Origin and Organisation. Rahden.

Lawergren, Bo. 2000. The beginning and end of angular harps. In ,Ellen Hickmann, Ingo Laufs, and Ricardo Eichmann, 53-64 ill. Saiteninstrumente im archäologischen Kontext = Stringed Instruments in archaeological context. Papers from the 8th International Meeting of the ICTM Study Group on Music Archaeology, Limassol, 26-30 August 1996, and papers from the 7th International Meet. Rahden.

Fischer, Moshe. 2004. A terracotta harp player from Hellenistic Yavneh-Jam (Israel). In ,Ellen Hickmann and Ricardo Eichmann, 437-443. Musikarchäologische Quellengruppen = Music-Archaeological Sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archeology at Monastery Michaelstein, 9-16 June 2002. Rahden.

Hagel, Stefan. 2002. Musik zwischen Apollon und Dionysos: der delphische Paian des Athenaios. In ,Ellen Hickmann, Ricardo Eichmann, and Anne D Kilmer, 403-411. Archäologie früher Klangerzeugung und Tonordnung = The Archaeology of Sound: Origin and Organisation. Rahden.

Hagel, Stefan. 2004. Calculating auloi? The Louvre aulos scale. In ,Ellen Hickmann and Ricardo Eichmann, 373-390. Musikarchäologische Quellengruppen = Music-Archaeological Sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archeology at Monastery Michaelstein, 9-16 June 2002. Rahden.

Hagel, Stefan. 2002. Musik zwischen Apollon und Dionysos: der delphische Paian des Athenaios. In ,Ellen Hickmann, Ricardo Eichmann, and Anne D Kilmer, 403-411. Archäologie früher Klangerzeugung und Tonordnung = The Archaeology of Sound: Origin and Organisation. Rahden.

Terzēs, Chrēstos. 2002. The ancient Hellenic tonal system: the view of Dionysios. In ,Ellen Hickmann, Ricardo Eichmann, and Anne D Kilmer, 393-401. Archäologie früher Klangerzeugung und Tonordnung = The Archaeology of Sound: Origin and Organisation. Rahden.

Psaroudakēs, Stelios. 2004. The Orestes Papyrus: some thoughts on the dubious musical signs. In ,Ellen Hickmann and Ricardo Eichmann, 471-492. Musikarchäologische Quellengruppen = Music-Archaeological Sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archeology at Monastery Michaelstein, 9-16 June 2002. Rahden.

Franklin, John Curtis. 2004. Structural sympathies in ancient Greek and South Slavic heroic songs. In ,Ellen Hickmann and Ricardo Eichmann, 241-251. Musikarchäologische Quellengruppen = Music-Archaeological Sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archeology at Monastery Michaelstein, 9-16 June 2002. Rahden.

Franklin, John Curtis. 2002. Musical syncretism and the Greek orientalizing period. In ,Ellen Hickmann, Ricardo Eichmann, and Anne D Kilmer, Studien zur Musikarchäologie 3, Orient-Archäologie 10:441-451. Archäologie früher Klangerzeugung und Tonordnung = The Archaeology of Sound: Origin and Organisation. Rahden.

Franklin, John Curtis. 2004. Structural sympathies in ancient Greek and South Slavic heroic songs. In ,Ellen Hickmann and Ricardo Eichmann, 241-251. Musikarchäologische Quellengruppen = Music-Archaeological Sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archeology at Monastery Michaelstein, 9-16 June 2002. Rahden.

Psaroudakēs, Stelios. 2004. The Orestes Papyrus: some thoughts on the dubious musical signs. In ,Ellen Hickmann and Ricardo Eichmann, 471-492. Musikarchäologische Quellengruppen = Music-Archaeological Sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archeology at Monastery Michaelstein, 9-16 June 2002. Rahden.

Boshnakova, Anna. 2004. 'From the visible to the invisible': musical metaphysics from the 6th and 5th centuries B.C.. In ,Ellen Hickmann and Ricardo Eichmann, 35-48. Musikarchäologische Quellengruppen = Music-Archaeological Sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archeology at Monastery Michaelstein, 9-16 June 2002. Rahden.

Kloner, Amos, and Braun, Joachim. 2000. Hellenistic painted tombs at Marisa: burial-hunt music. In ,Ellen Hickmann and Ricardo Eichmann, 47-51 ill. Saiteninstrumente im archäologischen Kontext = Stringed Instruments in archaeological context. Papers from the 8th International Meeting of the ICTM Study Group on Music Archaeology, Limassol, 26-30 August 1996, and papers from the 7th International Meet. Rahden.

Hickmann, Ellen, and Eichmann, Ricardo, eds. 2000. Saiteninstrumente im archäologischen Kontext = Stringed Instruments in archaeological context. Papers from the 8th International Meeting of the ICTM Study Group on Music Archaeology, Limassol, 26-30 August 1996, and papers from the 7th International Meet. Studien zur Musikarchäologie 1, Orient-Archäologie 6. Rahden.

Franklin, John Curtis. 2002. Musical syncretism and the Greek orientalizing period. In ,Ellen Hickmann, Ricardo Eichmann, and Anne D Kilmer, Studien zur Musikarchäologie 3, Orient-Archäologie 10:441-451. Archäologie früher Klangerzeugung und Tonordnung = The Archaeology of Sound: Origin and Organisation. Rahden.

Rocconi, Eleonora. 2004. Colours in music: metaphoric musical language in Greek antiquity. In ,Ellen Hickmann and Ricardo Eichmann, 29-34. Musikarchäologische Quellengruppen = Music-Archaeological Sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archeology at Monastery Michaelstein, 9-16 June 2002. Rahden.

Psaroudakēs, Stelios. 2004. The Orestes Papyrus: some thoughts on the dubious musical signs. In ,Ellen Hickmann and Ricardo Eichmann, 471-492. Musikarchäologische Quellengruppen = Music-Archaeological Sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archeology at Monastery Michaelstein, 9-16 June 2002. Rahden.

Jäger, Ralf Martin. 2004. Von der griechischen Antike zur Epoche des Christentums. Überlegungen zu einem notationstechnischen Paradigmenwechsel an der Schwelle zum Mittelalter. In ,Ellen Hickmann and Ricardo Eichmann, 493-499. Musikarchäologische Quellengruppen = Music-Archaeological Sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archeology at Monastery Michaelstein, 9-16 June 2002. Rahden.

Kloner, Amos, and Braun, Joachim. 2000. Hellenistic painted tombs at Marisa: burial-hunt music. In ,Ellen Hickmann and Ricardo Eichmann, 47-51 ill. Saiteninstrumente im archäologischen Kontext = Stringed Instruments in archaeological context. Papers from the 8th International Meeting of the ICTM Study Group on Music Archaeology, Limassol, 26-30 August 1996, and papers from the 7th International Meet. Rahden.

Hickmann, Ellen, and Eichmann, Ricardo, eds. 2000. Saiteninstrumente im archäologischen Kontext = Stringed Instruments in archaeological context. Papers from the 8th International Meeting of the ICTM Study Group on Music Archaeology, Limassol, 26-30 August 1996, and papers from the 7th International Meet. Studien zur Musikarchäologie 1, Orient-Archäologie 6. Rahden.